The Brian Travis Band played a house concert at a private Boutique in Venice last week. It was really fun to play acoustic and at a volume where ever single note and harmony could be heard clearly. The songs really seemed to connect with the 30 or so people that were sitting in rows in front of us and the lights were dim and our host Deb was lighting sticks of incense and it was just a very Venice beach experience.

We played 2 sets and took a nice long break between. It is pretty standard to lose 1/2 your audience when you stop playing and take a break. To my surprise everyone stayed and we even got a few more people in the door for the second set, including a wayward Dustin Hoffman who happened to be listening outside the door on the street and came in, sat down and listened to 3 or 4 tunes before stealthily exiting before our set was over!

I like the intimate feel of Private House Concert gigs. I would like to do more. If anyone is interested in hosting one with The Brian Travis Band, feel free to get in touch. Email me at tastethismoment@hotmail.com

For more info about what exactly a house concert is, this website offers some good information:

http://www.concertsinyourhome.com/

or the Wiki definition: http://en.wikipedia.org/wiki/House_concert

I am freaking broke. I have no idea where rent is gonna come from next month. Kind of freaking out. I hope people buy my CD on itunes. That would be so RAD to make rent off of CD sales. C’mon people, I’ve made a great CD. Buy it and help me afford to survive so that I can make more art.

Also, become a FAN of the BTB on Facebook:

I am about to complete another trip around the sun and once again I am going to celebrate by doing what I do. I’m playing a show with my band at The Hotel Cafe on Aug 21st. Aug 22nd is my actual birthday, but I am hoping to be in the middle of some magical jam when midnight rolls around. It has been quite a year…but I am looking forward to the next one. I feel healthier, more rested and more fit than I have in eons. I am in a new emotional state and learning a lot about myself. But it is not easy. I’ve been working freelance in a tough economy but barely making ends meet. Learning a lot about radical self reliance.

The band is still going strong. The Brian Travis Band cannot die it seems. It just keeps morphing into something new…I let go a long time ago and am resigned to following my muse. She has been showing me some interesting musical places. I want to breath new life into old ideas, I want to do something completely different. I want to tear it all down and build it all up again.

Now that all of my friends are having offspring I feel that it is a good time to write childrens songs…but the kids songs I am writing are not your typical happy go lucky affair. Mine are genuinely twisted. I have five solid songs written and I may put music to ‘Pink & Fleshy Bear Treats’ and recite the poem as spoken word over music.

Here is the song list so far:

1. Girls Aren’t Allowed In Forts (a rock version of this song has been recorded on the latest BTB record)
2. My Dad Is Better Than Your Dad (you know he is)
3. Stay Out Of My Room (having a little brother or sister sucks)
4. I think Your Mom & Dad Have Been Replaced By Aliens (based on a true story)
5. Before The World Ends (a happy little number about the end of the world)
6. Pink & Fleshy Bear Treats (bears love to maul little kids who wander through the woods alone)

So I am about 4 or 5 songs away from a full length children’s album!

I do not have a focused theme for this post. Nothing has made me particularly angry or irked me enough to write anything scathing. I’ve not been inspired by the wonder of life on Earth to write something inspirational either. This is kind of a prozac pontification…middle of the road ramblings.

It’s possible that being left in limbo regarding a certain someone has something to do with my general and unfocused malaise. I have found myself encumbered with feelings for an extraordinary lady. This person has cultivated something inside me that has lain dormant for a long long time. Unfortunately, as soon as she awoke these feelings inside me, she pulled away. I feel slightly taken for granted and a little like I’ve been given a dose of my own medicine in the love dept.

But at the same time, what I’ve been learning about myself as a result of this experience has been extraordinary. I wish I did not feel so helpless and confused so much of the time regarding what is going on between myself and this person. It has been an exercise in growth and understanding. I’m faced with some long overdue lessons that I’ve been avoiding learning. And at the same time, I’m feeling a little led on and abused, even though I know the other person involved is probably oblivious to the fact that she is mistreating my heart. I know she cares about me and I know that her misgivings are subconscious in nature – but it does not mean that they are any less painful.

Check it out! You can listen and download my latest music using this handy dandy widget! Enjoy…

As a musician without a car I’ve been semi-trapped in Los Angeles for a few years now with no real way to just hit the road and tour behind my music the way I would like. This had caused me to play in LA more than I prefer, and it has also kept me from expanding my fan base beyond the borders of Los Angeles county.

About a month ago I was offered a gig in Santa Cruz to play with The Five Deadly Venoms. I took the gig without a clear idea of how I was going to get 6 hours north and back. A few days prior to the gig, I began to scour the craigslist rideshare posts in hopes of finding a ride. Eventually I connected with a very sweet girl from Redondo Beach who happened to be taking a trip up the coast and wanted the company of a musician. We met around noon-ish the following day and loaded up her car with my backpack, merchandise and guitar and had a grand adventure on the road to Santa Cruz while the summer is good and young. It turned out that my Redondo beach companion and I shared a lot of the same interests and were perfectly matched for the trip. We stopped often and took in the sights and hung out on the beach once arriving in SC and enjoyed the start of a perfect norcal sunset as the waves pummeled the surf.

I was picked up by the promoter/and my good friend Sven and stayed in a beautiful cabin surrounded by a nook of redwood trees overlooking the San Lorenzo river. Svens’ back deck hung directly over the babbling river and the sound of the water rushing over rocks was the orchestral soundtrack during the few nights I spent there. My days were spent exploring the town I used to live in and running into old friends almost everywhere. Summertime was in full swing and the town was bursting with vibrant life. The community was as laid back as ever and I re-discovered why I fell in love with Santa Cruz the first time around.

On Wed night, July 8th I performed with my old band, Wishcraft along with Mohias, The Five Deadly Venoms and Vicky Peterson. It was a great show and there were hundreds of people filling the venue. Nearly every friend I ever had in Santa Cruz was there. After my set, I sold a good amount of CD’s to my old friends who were all excited to listen to my newest work. I spent most of the evening signing copies of my CD and posing for pictures with old friends. I sold out of the remaining physical copies of my new CD that night and left the gig with a good amount of cash in my pocket.

The following days were spent going to breakfast with friends, hitting the beach and embarking on plenty of margarita missions. When Friday rolled around and I was set to meet up with another rideshare back to LA, I was irritated and vexed that I had to leave. Santa Cruz is a paradise and it was great to return after nearly 5 years of absence.

Once back in LA, I had preparations to make for my next show in the city of angels. I was booked at Cinespace for an event called The Bohemian Shindig. A big club event in hollywood with 21 bands and a handful of visual artists. My group was booked to play at 10:40pm in the VIP lounge. I had spent most of my time promoting the Cinespace show once I returned from my blissed out Santa Cruz adventure. I sent an email blast to my 1500 contact email list, my 397 Facebook friends and sent bulletins advertising the show on myspace. I called, sent texts and basically informed everyone I knew about the show.

We lugged our gear to the club and up 2 flights of stairs to play in a smoke filled lounge with a dinky PA system and a pretty packed room of chatty smoking people. I knew almost no one there, and only 4 BTB fans made it to the event. That is 4 out of nearly 2,000 that I contacted. This was a Friday night show…not a Tuesday night at 11pm mind you. The fact that only 4 people showed up to see me in LA was a huge let down for me amplified by the fact that hundreds of people came out to see me in Santa Cruz on a Wednesday night a few weeks prior.

The assembly line nature of the gig with 7 acts on each of the 3 stages over the course of the night left most of the artists feeling a rushed lack of respect and the sound equipment was substandard in the VIP lounge. Our sound man did the best job he could with the rinky dink equipment, but our set suffered greatly from the tin-can sound of the vocals which did not have enough wattage to sit comfortably on top of the rest of the music. As a result, it was difficult for me to connect with an audience of strangers who would rather smoke and chat than listen to a band they have never heard of.

Not a single person signed our mailing list and no one bought a single CD.

I left the gig wondering why I ever left my house in the first place. From what I could tell, that show did very little for any of the bands who played. The crowd was unresponsive and primarily there to party rather than to check out the talented people who were performing for them. We felt like a human jukebox that everyone ignores at a bar while drinking with friends. We were making music, but no one was listening and they were only aware that something was happening when we would finish a tune, creating a void where sound used to be.

So LA was a Montana-sized let down after the groovy, down to earth love fest that was Santa Cruz. My next LA show is at the Hotel Cafe on August 21st. I hope it goes better than Cinespace or I will lose faith in this town altogether.

The Yamaha Audiogram 6 is awesome! Yes, I’ve finally joined the digital recording revolution and can now make my next album on my laptop…if making albums are even part of how music will be ‘bundled’ as product in the near future…

For the moment, I’m just super stoked to be recording decent quality homespun demos of all these songs that are pouring out of me right now.

Seriously, I’ve written like 5 songs in the last month or so…it feels so great to be productive as a songwriter again…my last creative burst was last summer/fall 2008.

Bad news: I’m out of work again. The Malibu job dried up. I designed all the designs they needed and now I am on to whatever is next. Such is the life of a freelance graphic artist. I’ve got some $ saved and I can take some time to keep the band stuff going…I’m looking into booking shows in Ireland this fall.

On Sat, May 30th 2009 I played my first big festival gig with the BTB. Well, it was SUPPOSED to be big. It had all the potential to be tremendous. We were playing a festival with Reel Big Fish, Eve 6, Lifehouse, The Donnas, Alien Ant Farm and nearly 70 other acts over a 2 day period. Hundreds of vendors were also booked to sell their eco-green wares at this event making it the largest green festival in California. The vendors and bands were led to believe that attendance would be close to 25,000 indie music fans.

Try 3 to 500 over the course of 2 days. Yep. We played to maybe 30 people on the Sonicbids stage…It was slightly pathetic…I mean, If I want to play for 30 people and get lied to and mistreated, I can always accept a gig at The Roxy or The Joint.

The bands and Vendors were told that there would be upwards of 25,000 indie music fans to attend premier music fest in Malibu – it was technically in Agoura, but the location wasn’t an issue for me, Paramount Ranch is a beautiful place…the real issue is that the gated space that that they had could only legally accommodate maybe 4 or 5 thousand people.

When I pulled up to the gig with my lovely umbrella wielding partner in crime, there were only say, 150 cars in the parking lot. This was the moment that I had a sinking feeling that something was wrong. It was a pleasant enough event. A beautiful setting and there was free food in the all access band greenroom/barn area and even free beer (but it was crap beer, if you wanted the good stuff you had to pay $7) The vendors had some cool stuff, all eco friendly goods but even early on the first day of the event, there was grumbling about how under-attended the event seemed to be.

After exploring the lay of the land with Erin, who was accidentally on purpose piercing unsuspecting concert goers with her umbrella, the band and I landed at the Sonic bids stage and began to tune up for our set figuring we would play for maybe 5 people tops.

To my surprise about 30 or so people gathered in front of the dirt lot in front of the stage and we had a small gathering of about 4 or 5 kids who were pressed directly up against the stage watching us set up. When we kicked into the set, people began to dance, there was a good feeling out there in the hills of Agoura and as I was rocking out, I gazed into the California sky and caught the sight of a soaring hawk cutting through the blue…It was a great moment.

We had the crowd (such as it was) in the palm of our hands and I began to think that Bufest was alright, despite the lack of attendance. After a short but sweet set, I spent some time at the merch table and signed CD’s and talked to some folks who caught our set. As the next band was setting up, Erin and I took off for a walk thru the outskirts of Paramount Ranch and found a nice oak tree to climb. We sat in the tree chilling out as the sun set and I realized that I was living a very blessed version of the California experience. When the reggae bass grooves of Pato Bantan’s band began to reach our ears from afar, Erin and I decided to cut out early…She’s not a fan of reggae music and after spending over 10 years in Santa Cruz, I could appreciate her disdain for the repetitive nature of the genre.

The following day I was offered a ride to the Fest for day 2. I ended up going back just to enjoy the landscape and possibly see a few bands and network. I brought a handful of my new CD’s and some business cards and filled my flask with Bushmills. I wasn’t about to pay for overpriced beer again.

It was again, not terribly crowded. As I walked around I could actually fell the vendors seething with anger. There was a tangible taste of mutiny in the air. I met these really cool people from Oregon who told me that they were charged over a grand for vendor space…and that the organizers were pulling the old, “don’t tell any of the other vendors what we are charging you, because we are giving you such a great deal…” line. Apparently they would suss out who could afford what and charge people a lot or very little depending on their ability to pay…other vendors paid only $500 for space. By the middle of day 2 over half of the vendors had packed up and left and there was talk of class action litigation against the organizers of Bufest.

It was barely promoted…there were radio spots a couple of days prior to the event…and ZERO promo in the papers. Another factor may have been that the show was the weekend AFTER memorial day weekend. With the economy the way it is, if people had a nut to spend, they spent it over memorial day weekend. Which just left the bands who were playing and their rag tag gaggle of fans (most of which were getting in for free with passes and such) to wander about the grounds, bypassing the hucksters who were hawking their products/art/clothing as most band members have zero money to spend on items of luxury. Most of the musicians i know squander their meager earnings from music on gas, food and guitar strings.

A good number of the big name acts pulled out of performing. Eve 6 and Lifehouse were missing from the rouster. Alien Ant Farm, The Donnas and even local KCRW darling Mieko pulled out of the lineup. Bands like The Miggs were performing in front of 5 to 7 people.

Not sure what the situation was for most of the other groups, but my band did not get paid to play the show. The event organizers told us that because of “The Economy” they were running a very tight budget and that they could not afford to pay a local band. I figured that if there were gonna be 25,000 people there…heck even 5,000 people, that we would be playing to a good size crowd and that we would be able to sell out of CD’s. Which is why I took the time to set up a crew of a couple of female fans armed with with baskets filled with BTB CD’s to wander around the crowd. Brilliant marketing I thought…but instead of 25,000 there was like 30 people…maybe.

I did manage to sell enough product to pay the guys in my band, but for me personally it was a wash…again. Thanks Bufest…the little festival that couldn’t.

In the midst of all the preparations for my CD release show at The Hotel Cafe, I got a text message from a buddy who hired me to teach his girlfriend how to use adobe illustrator. I’ve been doing tee shirt graphics on the computer for years now, making ends meet doing it, but have been laid off since December on 2008 and for the last 5 months I’ve been getting by on freelance jobs and teaching/tutoring.

In the text message, my friend asked if he could refer me to someone else who needed adobe illustrator assistance. Within 5 minutes, I was getting a call from a guy named Joel asking me to come out to his place in Malibu for a quick tutorial of the program. I arrived at Joels’ Place and was amazed by the physical display of wealth that was his home. His house was located a few miles up a hill on the coast of Malibu and is easily one of the most beautiful places I’ve ever seen. The home office where he works overlooks the ocean and he is married to a very famous pin up artist named Olivia.

After about 6 hours of tutoring, Joel offered me a job designing tee shirts based on Olivia’s Bettie Page illustrations. I now work alongside Olivia as we design a new line of Bettie Page garments. It is a fantastic gig that is paying me what I am worth (double what I’ve made in the past) and I am very thankful for the opportunity to work alongside an artist who has had so much financial success from being an artist.

The only downside to this arrangement is that the hours have cut into my time promoting my latest CD release and I am now back to juggling my music career with a day job. So this new job is change A.

Change B is my new CD. I’ve finally released a follow up to my 2004 release (Past The Breakers) with a new effort called The Bigger Picture. The CD release party was tremendously successful and I sold a good number of CD’s right out of the gate at this show. The new music has a much more soulful sound than my last record. The songs are stronger too. Its the album I wanted to make and it has a very live feel. Here are a few comments from people who have heard the CD:

“I just finished listening to the new Brian Travis Band album for like the fourth time in a row and OH MY GOODNESS!
It turned out amazing! I listened to every song going “this is now my new favorite BTB song.” and then the next song would come on and I would think, “oh wait, THIS is my new favorite BTB song.” and the CD would start over and the pattern continued. I really loved everything on it. Definitely an album I’ll be showing all of my friends. The recording was clean and beautiful, the songs were well played and sung, and the all around feeling of this album just felt fresh. Well done guys, you have my praise.”

-Teresa V. (BTB fan) Simi Valley

“The Bigger Picture combines pristine production with the intensity of a live performance. The Catchy Tunes and memorable lyrics will have you singing along the first time you hear it. These songs have hooks and run the gammit from roots to rock. This new release by The Brian Travis Band would be a welcome addition to anyone’s CD collection.”

-Dave Strauss / Flat Cat Radio DJ and Editor of Esoteric Times

So far so good…I need to do a LOT more CD promotion to make the most of what I have created, but its getting a warm reception.

Change C is a girl. I met someone at the LA Burning Man Decompression Party last fall. I liked her straight away. She is a Steampunk, she likes fire and has anarchist tendencies. We’ve been out on about 5 dates since then. I knew something was different about this person because it took me FOREVER to work up the courage to even kiss her – which is very unlike me. She came out to visit me prior to my CD release show last Sat and managed to commandeer some space in this petrified rock of a heart that I thought was uninhabitable.

So now I have a new job, new CD, and am faced with the possibility of a new person in my life. My life is totally different than it was before 2 weeks ago. One of the best and worst things about life is its crazy habit of twisting and turning leaving you no clue as to where it is going to lead. This time, the dice landed on some lucky numbers and I am living in abundance. I’d like to think that all of my hard work had something to do with it. People keep telling me I deserve all the good things that are happening to me right now. In the end, I’m not sure if it is karma or blind luck. I’m just thankful for the blessings and am trying to stay balanced so I can ride this wave all the way into shore.